Santuzza: tba
Turiddu: Hovhannes Ayvazyan
Lola: Yekaterina Sergeyeva
Alfio: Yevgeny Nikitin
Mamma Lucia: Elena Vitman
World premiere: 17 May 1890, Teatro Costanzi, Rome
Premiere at the Mariinsky Theatre: 18 January 1893 (in Russian, translation by Mikhail Ivanov and Nikolai Spassky)
Production premiere: 25 November 2020
Running time: 1 hour 10 minutes
The performance has no interval
Arnaud Bernard's production transposes the action of the opera's plot from a village in Sicily to the Italian Quarter of New York in the 1920s. The stage director believes that Italian immigrants brought with them to the New World the same earthy and archaic understanding of life and death, faith and honour and love and destiny that were commonly accepted in Sicily in the mid 19th century – the time when the story of Cavalleria rusticana unfolds, the novella serving as the basis for the libretto. If love before marriage can excommunicate a sinner from communion, if treachery leads to a knife-fight between rivals, then an insult may be washed away with blood, piety is proper, vengeance has deep roots and respect for one's mother becomes true "mammismo". In the 1890s, the portrayal of these powerful emotions verging on naturalism found an unexpected and passionate response with audiences and then, immediately following its premiere, the young Pietro Mascagni's first opera was staged at dozens of theatres in Europe and America. It paved the way for an entire movement in Italian opera which was given the name "verismo" (from the Italian "vero" meaning "truth"). By the close of the century verismo had died out, though its ideas were reflected in the operas of Giacomo Puccini and Francesco Cilea among other composers and, later on, in Italian cinema.
The highlighting of performances by age represents recommendations.
This highlighting is being used in accordance with Federal Law N436-FZ dated 29 December 2010 (edition dated 1 May 2019) "On the protection of children from information that may be harmful to their health"