St Petersburg, Concert Hall

The Story of Kai and Gerda


opera by Sergei Banevich

Performed in Russian (the performance will have synchronised Russian and English supertitles)
 

Performers

Conductor:

Zaurbek Gugkaev

Cast to be announced

World premiere: 24 December 1980, Kirov Opera and Ballet Theatre (Mariinsky Theatre)
Premiere of this production: 30 November 2016, Mariinsky Theatre
Premiere of the updated version: 2 December 2025, Concert Hall


Performance running time: 2 hours 20 minutes
The performance has one interval

Age category 6+

Credits

Music by Sergei Banevich
Libretto by Tatiana Kalinina

Stage Director: Alexei Stepanyuk
Director of adaptation: Sergey Bogoslavsky
Set Designer: Elena Orlova
Stage Designer: Nikolai Laukhin
Costume Designer: Elena Orlova
Lighting Designer: Vadim Brodsky
Video Designer: Viktoria Zlotnikova
Musical Preparation: Larisa Gergieva
Chorus Master: Pavel Teplov
Choreographer: Ilya Ustyantsev

SYNOPSIS

Prologue
The crafty trolls are laughing at the people. They have made a mirror of evil in which everything that is good and kind is reflected as being ugly. The mirror is broken and one of the shards flies around the world, breaking people's hearts and turning them into ice. The Lamplighter begins his tale about Kai and Gerda.

Act I
The residents of Odense are making merry on the city's main square. The Grandmother calls on Kai and Gerda to come home. "Don't joke with the snow-storm, don't joke with the frost," she warns. Two trolls appear on the square; they are ready to do anything to spoil the holiday atmosphere and make Kai and Gerda quarrel.

Evening at Kai and Gerda's house. A snow-storm is blowing outside the window. The children are playing a game. At this time the trolls appear in the house. Plunging a shard of the mirror of evil into Kai, they disappear. It is as if the boy has been replaced with someone else: the scent of roses is anathema to him, he mocks Gerda and the Grandmother and speaks with them in a haughty manner. The Snow Queen's voice calls out to him, and in oblivion he speaks again of "eternity and hundreds of stars". The Grandmother knows that the Snow Queen can be heard by those with hearts of ice.

On the square in Odense. The citizens are being entertained by travelling performers. A snow-storm begins. The Snow Queen has arrived and she calls Kai to come to her icy palace. The boy, following her, disappears in the snowy blizzard. The snowflakes abate and the Lamplighter attempts to instil the people with hope: "Wait amid any snowstorm, winter has a brief season."

Act II
Dusk in the forest. Gerda has set out in search of Kai and stumbled upon a camp of robbers. The bandits are all too willing to make short work of the defenceless girl. Gerda calls out to Kai and weeps. The Ataman's daughter comes to her defence, bold and wilful. From the Reindeer, a captive of the Little Girl Robber, Gerda learns that Kai has flown with the Snow Queen to the island of Spitzbergen. Gerda's self-sacrifice touches the heart of the Little Girl Robber, and she releases her new friend and gives her the reins of the Reindeer.

The Lamplighter thinks about how the saddest and most dangerous thing in the world is hatred.

The Reindeer has brought Gerda to the Snow Queen's realm. Kai is in one of the halls of her icy palace. He has almost forgotten his previous life and his heart has frozen. The boy is busy with something important – he is creating the word "eternity" from pieces of ice for which he has been promised the whole world and a pair of skates into the bargain. Gerda calls to him, speaking about Odense, home and storks on the roof. It seems that Kai remembers: it is she, Gerda, who appeared to her in a dream, it is she who called to him.

The Snow Queen enters the hall. She freezes the children's hearts and they are about to die. At the last minute Kai rushes to the pieces of ice and instead of the word "eternity" he spells out "I love". The Snow Queen has been defeated and the palace is bathed in sunlight. Kai and Gerda rush back to Odense on the Reindeer where they are awaited by the Grandmother, Lamplighter and the citizens.


There are not many operas written specifically for children: the genre itself, with its conventions and traditions, hardly seems suited to an audience of restless youngsters. St Petersburg composer Sergei Banevich, who chose children’s music as his artistic path, set out to challenge this assumption. The Story of Kai and Gerda, his most celebrated work, is a children’s opera written according to all the laws of a fully fledged musical drama.

The plot is drawn from Hans Christian Andersen: his The Snow Queen was transformed into an operatic libretto by poet Tatiana Kalinina. The action needed to be concise, the episodes visually vivid, and the central idea clear to an audience aged six and up. The narrative of The Story is interwoven with the reflections of the wise Lamplighter; the score incorporates dance interludes and the symphonic tableau Flight on the Reindeer. While the vocal parts are written for adult performers, the opera’s musical language – grounded in aria-like utterance – remains accessible to young listeners.

In the finale the creators bring two female archetypes face to face: love and death, Gerda and the Snow Queen, locked in a struggle for the human heart. Paradoxically, this musical parable, composed in the late 1970s, appeals to the Christian underpinnings of Andersen’s fairy tale – motifs that were omitted from Soviet-era editions (in the original story God and the Devil battle for Kai’s soul).

“This opera is addressed equally to children and adults; it is about losing and rediscovering oneself, much like the great novels of formation. When I think of Kai, I also think of today’s teenagers with shards of the ‘mirror of evil’ in their hearts – those who do not know what love is, who do not know the value of life, who are merciless and unforgiving,” reflects the composer.

The title The Story of Kai and Gerda first appeared on the playbills of the Kirov (now Mariinsky) Theatre in 1980. The opera remained in the repertoire for a decade and was performed more than one hundred times. Later Yury Alexandrov’s production was revived, featuring young Anna Netrebko, Leonid Zakhozhaev and Evgeny Nikitin. At Netrebko’s initiative a Viennese version of the opera with a German libretto (Die Schneekönigin) was performed for two summer seasons at the Haydn Hall of the Esterházy Palace near Vienna.

The opera has enjoyed a particularly fortunate stage life in Russia and Ukraine, with productions in Chelyabinsk, Yekaterinburg, Perm, Kyiv, Pskov and Novosibirsk. In the 2025–26 season The Story is performed at the Bolshoi Theatre of Russia and the Samara Opera and Ballet Theatre, at St Petersburg’s Mariinsky Theatre and its branches in Vladivostok and Vladikavkaz, at the Bolshoi Theatre of Belarus in Minsk, and at the State Theatre in Košice, Slovakia.

The Mariinsky production was created by masters of fairy-tale theatre: director Alexey Stepanyuk and designer Elena Orlova. In 2025 the production was adapted for the stage of the Concert Hall. Leyla Abbasova


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