St Petersburg, The Rachmaninov Hall

Cavalleria rusticana (chamber version)


opera by Pietro Mascagni

Performed in Italian (the performance will have synchronised Russian supertitles)

Performers

Santuzza: Yekaterina Solovyova
Turiddu: Giovanni Ribichesu
Lola: Darya Ryabokon
Alfio: Vladislav Kupriyanov
Mamma Lucia: Elena Vitman

Oxana Klevtsova (piano)

Credits

Music by Pietro Mascagni
Libretto by Giovanni Targioni-Tozzetti and Guido Menasci after the eponymous novella by Giovanni Verga

Musical Preparation: Alla Brosterman
Chorus Master: Nikita Gribanov
Directors of chamber version: Anna Shishkina

SYNOPSIS

Based on the production by Arnaud Bernard.

The Sicilian Quarter in New York, 1920s. Easter Sunday.
Early morning. After a night spent with Lola, formerly his lover and now the wife of another man, Turiddu sings her a serenade at his departure. They go their separate ways, trying not to draw the attention of any passers-by.
The day is warming up. The residents are coming to church for celebratory mass. Santuzza, Turiddu's betrothed, appears, tormented by jealous suspicions. She asks Lucia, Turiddu's mother, where the latter's son is; Lucia answers that on the eve of the celebration he set out for a neighbouring district to fetch wine. Their discussion is interrupted by the clamorous arrival of the merry fellow Alfio, Lola's husband; he has just returned from a trip and tells them of his business matters. A reference to Turiddu, whom Alfio recently saw near his home, confirms Santuzza in her guess. After the businessman has gone, Santuzza confides her fears to Lucia: Turiddu was once passionately in love with Lola and wanted to marry her but instead had to join the army; on his return, finding his former girlfriend married to Alfio, he was deeply saddened though he gradually developed feelings for Santuzza and they became engaged; on discovering this, Lola again resolved to charm Turiddu. Lucia, despairing at the news, goes to church and Santuzza remains to await her beloved, intent on extracting a confession from him. Turiddu arrives. Santuzza fires off her jealous accusations at him – he denies all, gives evasive answers and lies. As these declarations reach their height Lola appears and, singing a song, speaks with Turiddu in an ironical fashion. The women trade insults. After Lola departs, Santuzza again attempts to make her fiancé see reason, but he loses all self-control, spurns her and runs after the empty-headed flirt. In despair, the rejected Santuzza resolves to be avenged. Fate itself casts her into Alfio's path, and she reveals to him his wife's betrayal. Alfio's mirth is instantly transformed into terrifying wrath.
Meanwhile, mass has ended. The parishioners are planning to celebrate Easter, all are happy, drinking wine and singing songs. When those assembled are joined by Alfio, Turiddu offers him a drink as well, though Alfio rudely declines the offer. Sensing trouble brewing, the women depart. The two rivals understand that a fight between them is inevitable. In accordance with Sicilian custom, they embrace and Turiddu bites Alfio's ear. Before the fight, Turiddu goes to his mother to make his farewells, asks her to bless him and, should the worst happen to him, not to leave the poor Santuzza all alone. Lucia is stunned at her son's strange appearance and she is tormented by some presentiment of disaster. In the meantime, Alfio and his associates are dealing with the offender. A cry is heard announcing that Turiddu has been killed. All rush to the source of the noise. Santuzza shoves Lola onto the bloodied corpse of her beloved.


Running time: 1 hour 10 minutes
The concert has no interval

Age category 6+

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