St Petersburg, Mariinsky II

Carmen Suite
 “Paquita” Grand pas 


Performers

Credits

Music by Ludwig Minkus
Choreography by Marius Petipa (1881)
Reconstruction and staging of Marius Petipa's choreography: Yuri Burlaka

Costume Designer: Elena Zaitseva

About the production

In the dim and distant past, Paquita was a grand ballet with gypsies, smugglers, a bottle of poison, a hiding place in the fireplace, a kidnapped noblewoman, a cherished locket, Spanish cloaks, daggers, weddings, diamonds and dances. The new sensation of Paris came to the St Petersburg stage in 1847. In 1881 Marius Petipa added an extra act to the ballet, consisting of one dramatic Grand pas from beginning to end. After the Imperial Mariinsky Theatre became Soviet, and Paquita itself disappeared from the repertoire, Grand Pas appeared on theatre posters with capital letters and took on a life of its own. There remain, however, even today, hints of former, Imperial times. The entree of the dancers reflects the official hierarchy of the ballet company: corps de ballet, coryphee, soloists then the prima ballerina. This hierarchy in turn mirrors the pomp of the Imperial Court. The brilliance of dancers’ entrechats rivalled that of the diamonds worn by ladies in the boxes. Balletomanes, just as they did over one hundred years ago, fervently observe the competitive sequence of the soloists, each, one after the other, dancing a specially selected variation.


World premiere (Act III from the ballet Paquita): 27 January 1881, Mariinsky Theatre
Premiere of the revival: 30 March 2017, Mariinsky Theatre

Running time 40 minutes

Age category 12+

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