The musicians are on an unceasing musical search.
22. Peking Opera
The epic play Shengpingbaofa ( The Precious Raft of Exalted Peace ) – commissioned by the Peking opera-fan Emperor Qianlong – tells the story of a monk and his three companions travelling to the West in search of Buddhist scriptures.
23. Peking Opera
The epic play Shengpingbaofa ( The Precious Raft of Exalted Peace ) – commissioned by the Peking opera-fan Emperor Qianlong – tells the story of a monk and his three companions travelling to the West in search of Buddhist scriptures.
24. An interview with Paavo Järvi
– If we think of Mahler’s funeral marches and the vivid line that flows through all his work, then arguably you could say the composer was a pessimist, regardless even of his constant musical searches for an “exit” from his tragic conflict with reality, his endeavour to embody in music a heroic ideal, and regardless of the life-affirming finale of the Seventh Symphony.
25. Mahler. Ravel
First turning to the concerto genre towards the end of his career as late as 1929-1931, Ravel was drawn by the search for various possible resolutions within one and the same genre.
26. Gustav Mahler. Symphony No 2 in C Minor
This laconic intermezzo is like a “halt in the desert” (to use a poetic image of Joseph Brodsky), in a desert of loneliness, in a “vale of tears,” in search for the meaning of life.
27. Alem
Having formed its own inimitable and totally unique style, however, the ballet company does devote particular attention to classical dance – both preserving and promoting classical traditions as well as exploring and developing contemporary trends in its search for new movement through the prism of national dance.
28. Alem
Having formed its own inimitable and totally unique style, however, the ballet company does devote particular attention to classical dance – both preserving and promoting classical traditions as well as exploring and developing contemporary trends in its search for new movement through the prism of national dance.
The musicians are on an unceasing musical search.
30. Yaroslav Baibordin (04.25)
Allegro vivace), A Midsummer Night’s Dream (Puck), Sylvia (Goat); choreography by Frederick Ashton, Yuri Grigorovich's ballets The Legend of Love (Jester, Ferkhad’s friends), The Stone Flower (Danila’ s Friends), Leonid Yakobson's ballets Shurale (Evil Spirit), Spartacus (Retarius, Dying Slave, Etruscan ), Anyuta (Modest Alexeyevich); choreography by Vladimir Vasiliev, Cinderella (Spring, Hairdressers/Searchers) and The Little Humpbacked Horse (the Little Humpbacked Horse), Concerto DSCH , Pierot Lunaire ; The Nutcracker (the Nutcracker Prince, Recruit, Punchinello); production by Mihail Chemiakin, choreography by Kirill Simonov, Solo ; choreography by Hans van Manen, Le Parc (Gardeners); choreography by Angelin Preljocaj, Anton Pimonov's ballets In the Jungle (Geno), Violin Concerto No 2 , Inside the Lines, The Bronze Horseman (Harlequin, Peter’s Fledglings); choreography by Yuri Smekalove, Paquita (Clemente, Officers, Guardian Officers); choreography by Yuri Smekalov, reconstruction and staging of Marius Petipa's choreography (Act III Grand Pas) by Yuri Burlaka, SeasonS , Jeu de cartes (The Joker); choreography by Ilya Zhivoi, Pétrouchka (Pétrouchka’s Death); choreography by Vladimir Varnava, Ballet No 2 , The Fairy's Kiss (the Fairy I and the Fairy III’s retinue); choreography by Maxim Petrov, Coppélia (Frantz’s Friends), Danses Сoncertantes, 12 (Part I); choreography by Alexander Sergeev, A csodálatos mandarin (Bandit); choreography by Yuri Possokhov, Dance Scenes (Part III); choreography by Vyacheslav Samodurov, and dances in the opera Aida (a Bull).