Music by Carl Maria von Weber
Choreography by Michel Fokine (1911)
Concept by Jean-Louis Vaudoyer after the poem by Théophile Gautier
Scenario by Michel Fokine
Reconstruction by Isabelle Fokine
Costumes after sketches by Léon Bakst
“Her eyes closed, the Girl seeks out her Spectre, summoning him. In none of the movements does the Spectre resemble a typical dancer performing his variations for the pleasure of the audience. He is a spirit. He is a dream. He is the scent of a rose, the caress of its delicate petals,” described Michel Fokine his Le Spectre de la rose. He got the idea from a poem by the Romantic poet Théophile Gautier:
Je suis le spectre d'une rose
Que tu portais hier au bal.
The short ballet created in 1911 for Les saisons russes became emblematic for the Diaghilev’s company. Tamara Karsavina danced the Young Girl with melancholy languor and created the dream-like and memory-like atmosphere of the ballet. Vaslav Nijinsky’s spectacular leap made the audiences ecstatic, while the dancer’s ingenious portrayal of the Spectre forever remained in ballet history. The images of the first duet from the famous playbill drawn by Jean Cocteau for many Europeans in the 20th century symbolized all things innovative in ballet at the time.
World premiere: 19 April 1911, Les Ballets Russes de Serge de Diaghilev, Théâtre de Monte Carlo
In the repertoire of the Mariinsky Theatre since 1997
Running time: 10 minutes
The highlighting of performances by age represents recommendations.
This highlighting is being used in accordance with Federal Law N436-FZ dated 29 December 2010 (edition dated 1 May 2019) "On the protection of children from information that may be harmful to their health"