Music by Riccardo Drigo
Choreography by Marius Petipa and Lev Ivanov (1894)
Set design: Mikhail Bocharov
Costumes: Yevgeny Ponomarev
(revival of the 1894 production)
The revival team:
Conductor: Pavel Bubelnikov
Choreography staged: Sergei Vikharev
Sets reproduced: Mikhail Shishliannikov
Costumes reproduced: Irina Korovina
Lighting: Vladimir Lukasevich
Scene 1. Danse de Diane. Night. Flore and her nymphs are in a deep sleep; Diane, the Goddess of the Night, guards their peace. As dawn approaches there is a freshness in the air. Diane hides in the clouds.
Scene 2. Entrée d’Aquilon, Danse de la rosée. Aquilon storms over the stage; his sudden appearance awakes the sleeping maidens and makes them seek refuge among the leafage. The appearance of the cool dew brings despair to Flore and she begs Aurore to come to their assistance.
Scene 3. Arrivée d’Aurore, Valse. Aurore comforts Flore with tender caresses and declares that she will be followed by the God of the Day – Apollon, who will put an end to their sufferings.
Scene 4. Entrée d’Apollon, Zéphyr, Cupidon et les Amours, Pas d’action. As the radiant Apollon appears everything comes to life. Enchanted by the beauty of the Goddess of Flowers, he kisses her. At the summons of the God of the Day, the light and gentle breeze Zéphyr flies into the embrace of Flore, his beloved. “You must be his friend,” Apollon tells her, “That is the will of the gods.” All are delighted. Cupidon, the Amours and Nymphs rejoice at the lovers’ happiness.
Scene 5. Arrivée de Mercure, Ganymède et Hébé. Mercure, the messenger of the gods, announces the arrival of Ganymède. Flore and Zéphyr bring forth a cup of nectar and declare that Jupiter will grant them eternal youth.
Scene 6. Cortège, Grand pas. Procession. Bacchus and Ariadne’s chariot, accompanied by maenads, satyrs, fauns and sylphs.
Apotheosis. Olympia. Jupiter, Juno, Neptune, Vulcan, Minerva, Ceres, Mars, Pluto, Proserpina and Venus all appear.
Content printed after the Annual of the Imperial Theatres for 1893–1894.
The score of the ballet Le Réveil de Flore has been revived from the manuscript by Riccardo Drigo preserved at the Mariinsky Theatre Central Music Library.
The choreographic text of Marius Petipa and Lev Ivanov has been revived from the records of Nikolai Sergeyev, executed in the Stepanov Notation System housed at the Harvard Theatre Collection and from violin répétiteurs retained at the Mariinsky Theatre Central Music Library.
The sets and costumes have been reconstructed from photos and sketches by Mikhail Bocharov and Yevgeny Ponomarev from the archives of the St Petersburg State Museum of Theatre and Music.
The costumes have been reconstructed from sketches by Yevgeny Ponomarev from the archives of the St Petersburg State Museum of Theatre and Music.
Premiere – 9 August 1894, Court Theatre, Peterhof
Premiere at the Mariinsky Theatre: 20 January 1895
Premiere of the reconstruction – 12 April 2007, Mariinsky Theatre
Running time: 1 hour
The ballet Le Réveil de Flore has been made possible thanks to support from the Stiftung der Freunde des Mariinsky Theaters (Germany).
The highlighting of performances by age represents recommendations.
This highlighting is being used in accordance with Federal Law N436-FZ dated 29 December 2010 (edition dated 1 May 2019) "On the protection of children from information that may be harmful to their health"