Born in Chambéry (France).
Graduated from the Vaganova Ballet Academy in 2017 (class of Marina Vasilieva).
Joined the Mariinsky Ballet the same year.
Her repertoire includes:
Giselle (Bathilde); choreography by Jean Coralli, Jules Perrot and Marius Petipa,
Swan Lake (Spanish Dance, Mazurka); choreography by Marius Petipa and Lev Ivanov, revised version by Konstantin Sergeyev,
The Sleeping Beauty (Maidservant); choreography by Marius Petipa, revised version by Konstantin Sergeyev,
Raymonda (Saracen dance, Mazurka); choreography by Marius Petipa, revised version by Konstantin Sergeyev,
Le Corsaire (Algerian Dance, Forban – Pirates’ Dance); production by Pyotr Gusev after the composition and choreography by Marius Petipa,
Don Quixote (Mercedes, Gypsy Dance, Oriental Dance, Fandango); choreography by Alexander Gorsky after motifs of the production by Marius Petipa; choreography of the Gypsy Dance and Oriental Dances by Nina Anisimova, choreography of Fandango by Fedor Lopukhov,
Schéhérazade (Odalisques); Le Carnaval (Estrella); The Firebird (Tsarevna of Great Beauty); choreography by Michel Fokine,
The Fountain of Bakhchisarai (Ghirei’s Second Wife, сracovienne); choreography by Rostislav Zakharov,
The Nutcracker (Spanish Dance, Oriental Dance, Waltz of the Flores, Elegant Ladies); choreography by Vasily Vainonen,
The Nutcracker (the Nutcracker’s Sisters, Oriental Dance); staging by Mihail Chemiakin, choreography by Kirill Simonov,
Romeo and Juliet (Folk Dance, Servants at the Inn); choreography by Leonid Lavrovsky,
Spartacus (Egyptian); choreography by Leonid Yakobson,
The Legend of Love (Dance of the Court Dancers), The Stone Flower (A Young Gypsy Woman); choreography by Yuri Grigorovich,
Anyuta (Gypsies); choreography by Vladimir Vasiliev,
The Little Humpbacked Horse (Gypsy Dance),
Sacre; choreography by Sasha Waltz,
Symphony in Three Movements; choreography by Radu Poklitaru,
Push Comes to Shove, choreography by Twyla Tharp,
Yaroslavna. The Eclipse (The Patrol, dancers, The Gift), Clay, Pétrouchka (Proscenium servants), Daphnis et Chloé; choreography by Vladimir Varnava,
12 (Girls); choreography by Alexander Sergeev
and dances in the operas Ruslan and Lyudmila (Lezginka), A life for the Tsar (Mazurka).
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