The singer, who was in excellent vocal form, is now at the peak of his international performing career. This is borne out by his sensational performance as Moïse in Rossini’s opera Moïse et Pharaon at the Salzburg Festival this year (under the baton of Riccardo Muti).
The velvety voice, full sounding, ideally pure, with an almost tangible aroma of vibrato that filled the entire auditorium: how could this not drive you insane?
Best of all, though, was the sensational bass, Ildar Abdrazakov, who has just about everything – imposing sound, beautiful legato, oodles of finesse. I can’t remember when I last heard the role so magnificently sung.
... the discovery of the evening was Ildar Abdrazakov, whose intriguing bass plumbed the somber depths of his music with real commitment...
The Chicago Tribune
• People's Artist of the Republic of Bashkortostan
• People’s Artist of the Republic of Tatarstan
• Grand-prix at the V International Maria Callas Television Competition Nuove voci per
Verdi (Parma, 2000)
• Grand-prix at the I International Elena Obraztsova Competition (St Petersburg, 1999)
• Grand-prix at the III International Rimsky-Korsakov Competition (St Petersburg, 1998)
• Prize-winner at the I Irina Arkhipova Television Moscow Grand Prix Competition (1997)
• Recipient of the first-prize at the XVII International Glinka Competition (Moscow, 1997)
Ildar Abdrazakov has quickly established himself as one of opera’s most sought-after basses. Since making his La Scala debut in 2001 at only 25, the Russian singer has become a mainstay at leading houses worldwide, including the Metropolitan Opera, Covent Garden, and Vienna State Opera. His powerful yet refined voice coupled with his compelling stage presence have prompted critics to hail the two-time Grammy Award-winner as a “sensational bass…who has just about everything – imposing sound, beautiful legato, oodles of finesse” (Independent). Also an active concert artist, he has performed at London’s BBC Proms and at Carnegie Hall, as well as with leading international orchestras including the Chicago Symphony and Vienna Philharmonic.
Abdrazakov begins the 2012-13 season portraying two of Mozart’s most iconic title characters. First, in September, he appears as the infamous anti-hero in Don Giovanni at the Washington National Opera, and then in October and November, he sings the title role in both Le nozze di Figaro and Don Giovanni at the Metropolitan Opera. Other opera engagements include The Barber of Seville in Munich, Don Giovanni with the Vienna State Opera, and King Philip in Don Carlo at the Torino Opera. on the concert stage, Abdrazakov sings in Prokofiev’s cantata Ivan the Terrible with the Deutsche Symphony Orchestra in Berlin and is a special guest performer at Dmitri Hvorostovsky’s 50th birthday gala in St. Petersburg.
Since making his Met debut in 2004 in Don Giovanni under James Levine, Abdrazakov has appeared there regularly: in 2008-09 he headlined a new production of Verdi’s Attila, and in 2011-12 he made his role debuts as King Henry VIII in the Met’s season-opening production of Donizetti’s Anna Bolena and as Dosifei in Mussorgsky’s Khovanshchina. At La Scala, he joined Muti in concert for the reopening of the theatre in 2004-05, and that same season he sang Moses in a production of Rossini’s Moses and Pharaoh that was recorded and released on CD and DVD. It was in the same role – in a new production led by Muti – that the Russian bass made his Salzburg Festival debut in 2009, and he has also sung Moses with the Italian maestro in Rome. Abdrazakov first appeared at London’s Royal Opera House in 2009, performing Verdi’s Requiem in concert with Antonio Pappano, and he has since returned there to sing Don Basilio in Rossini’s Barber of Seville.
The title role in The Marriage of Figaro was the vehicle for Abdrazakov’s 1998 house debut at St. Petersburg’s Mariinsky Theater. Among his other signature roles are both the title character and Leporello in Mozart’s Don Giovanni; Méphistophélès in Gounod’s Faust and Berlioz’s The Damnation of Faust; Oroveso in Bellini’s Norma; Selim in Rossini’s Turk in Italy, and Assur in his Semiramide. As well as for his Attila, the Russian bass is noted for other Verdi roles: Banquo in Macbeth, Walter in Luisa Miller, and the title character in Oberto.
Abdrazakov has appeared with virtually every major opera company in the United States and Europe. In addition to those already mentioned, he has sung on the stages of Barcelona’s Teatre Liceu, Madrid’s Teatro Real, Paris’s Opera Bastille, the San Francisco Opera, the Washington National Opera, and the Los Angeles Opera. On the concert stage, he has given recitals in Russia, Italy, Japan, and the United States, and performed with orchestras including the Chicago Symphony, the Vienna Philharmonic, the Leipzig Gewandhaus Orchestra, the Bayerische Rundfunk, the Rotterdam Philharmonic, the Orchestre National de France, the Orchestra Filarmonica della Scala, and Rome’s Accademia Nazionale di Santa Cecilia. Among the noted conductors with whom he has collaborated are Riccardo Muti, Valery Gergiev, James Levine, Gianandrea Noseda, Bernard de Billy, Riccardo Frizza, Riccardo Chailly, and Antonio Pappano.
In addition to his Grammy Award-winning recording of Verdi’s Requiem with Muti and the Chicago Symphony Orchestra, Abdrazakov has recorded unpublished arias by Rossini with Chailly and the Symphony Orchestra of Milan Giuseppe Verdi for Decca and Cherubini’s Mass with Muti and the Bayerische Rundfunk for EMI Classics. For Chandos, he has recorded Shostakovich’s Suite on Verses of Michelangelo and Rachmaninoff’s The Miserly Knight, both with Noseda and the BBC Philharmonic. The bass’s DVD releases include Moïse et Pharaon from La Scala, Oberto from Bilbao, Norma from Parma, and Lucia di Lammermoor from the Metropolitan Opera.
Born in 1976 in the city of Ufa, then the capital of the Soviet republic of Bashkiria, Ildar Abdrazakov traces his lineage back to Genghis Kahn. His parents were both artists: his mother was a painter, and his late father, a director. He began acting in his father’s stage and film productions at age four, and it was these early experiences that inspired him to pursue a career in the arts. On graduating from the Ufa State Institute of Arts, he joined the Bashkirian Opera and Ballet Theatre. In the late 1990s, he won a string of prestigious vocal competitions: the Moscow Grand Prix named after Irina Arkhipova, the Glinka International Vocal Competition, the Rimsky-Korsakov International Competition, and the International Obrazova competition. His 2000 win at the Maria Callas International Television Competition in Parma thrust him into the international spotlight and led to his debut at La Scala the following year.
Since 2007, Abdrazakov has been an ambassador for the Zegna & Music project, a philanthropic initiative founded in 1997 by Ermenegildo Zegna, to promote music and its values. Abdrazakov’s concert attire is generously provided by the designer.