Zhanna Dombrovskaya


The temperamental ‘acting singer’ Zhanna Dombrovskaya gave the fierily assertive and desperately decisive character of Elettra Idomeneo, rè di Creta> the features of a wicked Fury, of a tigress preparing to make her fatal leap.

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Soprano

Zhanna Dombrovskaya was born in Pyatigorsk. Graduated from the St Petersburg State Rimsky-Korsakov Conservatoire (class of Professor Svetlana Gorenkova) and the Mariinsky Academy of Young Singers. Soloist with the St Petersburg State Musorgsky Academic Theatre of Opera and Ballet from 2001 to 2003. Mariinsky Theatre soloist since 2003.

Repertoire at the Mariinsky Theatre:
Antonida (A Life for the Tsar)
Lyudmila (Ruslan and Lyudmila)
Judith (Serov’s Judith, chamber version)
Emma (Khovanshchina)
Agnès Sorel (The Maid of Orleans)
Iolanta (Iolanta)
Kupava (The Snow Maiden)
Volkhova (Sadko)
Oxana (Christmas Eve)
The Queen of Shemakha (The Golden Cockerel)
Podtochina's daughter (The Nose)
Sofia (Semyon Kotko)
A Speaking Woman (The Lefthander)
Elettra (Idomeneo, re di Creta)
Donna Elvira, Donna Anna (Don Giovanni)
Fiordiligi, Despina (Così fan tutte)
Adina (L'elisir d'amore)
Lucia (Lucia di Lammermoor)
Norina (Don Pasquale)
Gilda (Rigoletto)
Violetta (La traviata)
Aida (Aida)
Elena (I vespri siciliani)
Adriana Lecouvreur (Adriana Lecouvreur)
Minnie (La fanciulla del West)
Suor Angelica (Suor Angelica)
Musetta (La bohème)
Valentine (Les Huguenots)
Ascagne (Les Troyens)
Marguerite (Faust)
Rosalinde (Die Fledermaus)
Micaëla (Carmen)
Antonia, Giulietta, Olympia's Voice (Les contes d´Hoffmann)
Nedda (Pagliacci)
Freia, Woglinde (Das Rheingold)
Gerhilde (Die Walküre)
Waldvogel (Siegfried)
Woglinde (Götterdämmerung)
Klingsor’s Flower Maiden (Parsifal)
Helena (A Midsummer Night’s Dream)
Emilia Marty (The Makropulos Affair)
Chrysothemis (Elektra)
The Prima Donna / Ariadne (Ariadne auf Naxos)
The Empress (Die Frau ohne Schatten)
as well as soprano roles in Rachmaninoff’s vocal-symphonic poem The Bells, Pergolesi's and Rossini’s Stabat Mater

Repertoire also includes: Tatiana (Eugene Onegin), Concepción (L'Heure espagnole) and the soprano roles in Stravinsky's cantata Les Noces, Orff's Carmina Burana, Bach's Johannespassion, Mozart’s Mass in C minor and Handel's Judas Maccabaeus.

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