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Soprano Angelina Akhmedova from Uzbekistan pointed out to the best traditions of the Russian singing school. The dramatic expressiveness and subtle tone of her voice, in an exceptional way, depicted the idyll of a wedding, golden bells and the verses What a world of happiness their harmony foretells! [by Edgar Allan Poe].
Srđan Teparić, Muzički limbo (“Musical Limbo”), April 2025. (About a performance of Rachmaninoff’s The Bells at the Belgrade Philharmonic Concert Hall)
Mariinsky Theatre Guest Soloist
• Prize-winner at the XVI International Tchaikovsky Competition (Moscow – St Petersburg, 2019; 4th prize)
• Prize-winner at the 2nd Rachmaninov International Vocal Competition (Rostov-on-Don, 2013; 1st prize)
• Prize-winner at the 18th Lydia Abramova Bella voce International Student Vocalists’ Competition (Moscow, 2012; 4th prize and special prize from the Tchaikovsky Foundation)
Angelina Akhmedova was born in Tashkent (Uzbekistan). Graduated from the State Conservatory of Uzbekistan (Tashkent). While a fourth-year student, she became a trainee at Tashkent’s Navoi Theater. In masterclasses she has worked with Renato Bruson, Tamara Novichenko, Kateřina Beranová and Larisa Gergieva.
From 2017 to 2021 the singer was a fellow of the Atkins Young Artists Program at the Mariinsky Theatre.
Angelina made her Mariinsky Theatre debut in 2018, appearing as Nannetta in Falstaff.
Repertoire at the Mariinsky Theatre:
Marfa (The Tsar’s Bride)
The Princess Unearthly-Beauty (Kashchey the Immortal)
Servilia (Servilia, concert performance)
Louisa (Betrothal in a Monastery)
Zerlina (Don Giovanni)
Norina (Don Pasquale)
Violetta Valéry (La traviata)
Nannetta (Falstaff)
Mimì and Musetta (La bohème)
Lauretta (Gianni Schicchi)
Freia (Das Rheingold)
Klingsor’s Flower Maiden (Parsifal)
Micaëla (Carmen)
Antonia (Les Contes d’Hoffmann)
Soprano parts in Ein deutsches Requiem by Johannes Brahms, Le Martyre de saint Sébastien by Claude Debussy and the Eighth Symphony by Gustav Mahler; Eduard Kiprsky’s vocal cycle Latin Triptych
Has sung in the premiere of a new Mariinsky Theatre production of Kashchey the Immortal (2019).
Her repertoire also includes: High Priestess (Aida), Swan-Princess (The Tale of Tsar Saltan), soprano roles in Mozart’s Requiem and Orff’s cantata Carmina Burana.
In 2025 at the Belgrade Philharmonic Concert Hall she performed a solo part in Rachmaninoff’s The Bells.
Information for April 2025
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