Peter Mumford has designed productions including Carmen, Madama Butterfly, Peter Grimes, the Metropolitan Opera’s 125th Anniversary Gala, the La Cenerentola (Glyndebourne), Pétrouchka, Carmen (also sets), Cheating, Lying, Stealing (Scottish Ballet), Punch and Judy, Bluebeard’s Castle, Madama Butterfly, Così fan tutte, Die Soldaten, Poppea (English National Opera), Il trovatore (Paris), Prima Donna (Manchester International Festival), Fidelio, Two Widows, Don Giovanni, Der7nbsp;Ring des Nibelungen (Scottish Opera), Eugene Onegin, Madama Butterfly (Opera North), Giulio Cesare (Bordeaux), Eugene Onegin and The Bartered Bride (Royal Opera House). He co-directed and designed the sets and lighting for L’Heure espagnole and L’Enfant et les sortilèges (Opera Zuid). Recent theatre credits: include The Misanthrope, Prick up Your Earsv (Comedy Theatre), Bedroom Farce, A View from the Bridge (Duke of York’s), Pictures from an Exhibition (Young Vic), Parlour Song, Hedda Gabler, Cloud Nine (Almeida), All’s Well that Ends Well, The Reporter, The Hothouse, Exiles (Royal National Theatre), Carousel and Fiddler on the Roof (the Savoy). He won the 1995 Olivier Award for Outstanding Achievement in Dance for The Glass Blew In (Siobhan Davies) and Fearful Symmetries (Royal Ballet), and a 2003 Olivier Lighting Award for The Bacchae (Royal National Theatre).
| user_name | | Exit |
