Natalia Sologub

Recipient of Russia’s national theatre prize The Golden Mask in the category “Best Female Role in Ballet” (Masha in The Nutcracker, 2001 and Steptext, 2005)
Recipient of the BALTIKA prize (Hope prize, 2001)
Honoured Artist of the Republic of Bashkortostan (1997)
Prize-winner at the International Ballet Competition in Lausanne, Switzerland (1995)
Prize-winner at the International Ballet Competition in Perm, Russia (1993)

Born in Sterlitamak (Bashkiria).
Graduated from the Bashkiria School of Ballet (Ufa) in 1998.
From 1998 to 2006 she was a soloist with the Mariinsky Ballet.
Since 2006 she has been a First Soloist with the ballet company of the Semperoper (Dresden, Germany).

Repertoire at the Mariinsky Theatre includes:
La Bayadère (Grand pas, Gamzatti, Pas de trois in the scene The Kingdom of Shades); choreography by Marius Petipa, revised version by Vladimir Ponomarev and Vakhtang Chabukiani,
Giselle (Giselle); choreography by Jean Coralli, Jules Perrot and Marius Petipa,
Raymonda (Variations in the scene The Dream); choreography by Marius Petipa, revised version by Konstantin Sergeyev and Fyodor Lopukhov,
Swan Lake (Pas de trois, Swans, Odette-Odile); choreography by Marius Petipa and Lev Ivanov, revised version by Konstantin Sergeyev,
The Sleeping Beauty (Aurora, Candide Fairy, Princess Florine); choreography by Marius Petipa,
The Nutcracker (Masha); choreography by Vasily Vainonen,
The Nutcracker (Masha, Polka, Pas de deux); production by Mihail Chemiakin, choreography by Kirill Simonov,
Don Quixote (Kitri, Queen of the Dryads); choreography by Alexander Gorsky after motifs from the production by Marius Petipa,
Pas de Quatre (Fanny Cerrito); choreography by Anton Dolin,
Chopiniana (Nocturne, Mazurka, Seventh Waltz) and Le Spectre de la rose (the Girl); choreography by Michel Fokine,
Romeo and Juliet (Juliet); choreography by Leonid Lavrovsky,
Serenade, Symphony in C (3rd Movement, Allegro vivace) and The Four Temperaments; choreography by George Balanchine,
Manon (Manon, Lescaut’s Lover); choreography by Kenneth MacMillan,
Cinderella (Cinderella), Middle Duet and Le Poème de l’extase; choreography by Alexei Ratmansky,
Spring and Fall and Now and Then; choreography by John Neumeier,
Come in!; choreography by Kirill Simonov,
Steptext; choreography by William Forsythe
and Reverence; choreography by David Dawson.

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