• Prize-winner at the XIV International Ballet Dancers’ and Choreographers’ Competition in Moscow (3rd prize, 2022)
Born in Moscow.
Graduated from John Cranko Schule (Stuttgart) in 2016.
Joined the Mariinsky Ballet the same year.
La Sylphide (Youths); choreography by August Bournonville, revised version by Elsa-Marianne von Rosen,
Giselle (Count Albrecht); choreography by Jean Coralli, Jules Perrot and Marius Petipa,
La Bayadère (Solor, Grand pas); choreography by Marius Petipa, revised version by Vladimir Ponomarev and Vakhtang Chabukiani,
La Fille du Pharaon (Ta-Hor); choreography by Marius Petipa reconstructed by Toni Candeloro,
Raymonda (Jean de Brienne, Grand pas, Male variation); choreography by Marius Petipa, revised version by Konstantin Sergeyev,
Don Quixote (Espada); choreography by Alexander Gorsky based on the production by Marius Petipa,
Le Corsaire (Conrad); production by Pyotr Gusev after the composition and choreography of Marius Petipa,
Chopiniana; choreography by Michel Fokine,
The Sleeping Beauty (the Blue Bird); choreography by Marius Petipa, revival of the 1890 production, staging by Sergei Vikharev,
The Sleeping Beauty (the Blue Bird); choreography by Marius Petipa, revised version by Konstantin Sergeyev,
Swan Lake (Siegfried); choreography by Marius Petipa and Lev Ivanov, revised version by Konstantin Sergeyev,
The Fountain of Bakhchisarai (Vaslav, Youths); choreography by Rostislav Zakharov,
The Nutcracker (Nutcracker Prince, Elegant Gentlemen, Waltz of the Flowers); choreography by Vasily Vainonen,
Romeo and Juliet (Troubadour); choreography by Leonid Lavrovsky,
Jewels (Diamonds), Symphony in C (II. Adagio), A Midsummer Night’s Dream (Lysander); choreography by George Balanchine's,
Sylvia (Aminta, Jaseion); choreography by Frederick Ashton,
Yuri Grigorovich's ballets The Legend of Love (Friends of Ferkhad), The Stone Flower (Amethysts),
Carmen-Suite (José); choreography by Alberto Alonso,
5 Tangos; choreography by Hans van Manen,
Le Parc; choreography by AngelinPreljocaj,
Cinderella (Winter), Concerto DSCH,
The Bronze Horseman (Contredanse); choreography by Yuri Smekalov,
Paquita (Officers, Gypsies); choreography by Yuri Smekalov, reconstruction and staging of Marius Petipa's choreography (Act III Grand Pas) by Yuri Burlaka,
Pavlovsk; choreography by Maxim Petrov.
Repertoire also includes:
For a sweeter look; choreography by Guilherme Maciel,
A Thousand and One Nights (Shakhriar); choreography by Eldar Aliev.