Anastasia Lukina

• Recipient of the Mikhailovsky Theatre Grand-Prix (St Petersburg, 2013)

In 2015 she graduated from the Vaganova Academy of Russian Ballet (class of Professor Lyudmila Kovaleva). Joined the Mariinsky Ballet the same year.

Repertoire includes:
La Sylphide (the Sylph, Nancy); choreography by August Bournonville, revised version by Elsa-Marianne von Rosen,
Giselle (Giselle); choreography by Jean Coralli, Jules Perrot and Marius Petipa,
La Fille du Pharaon (Fisherman’s wife, Almehs); choreography by Marius Petipa reconstructed by Toni Candeloro,
The Sleeping Beauty (Princess Florine); choreography by Marius Petipa, revival of the 1890 production, staging by Sergei Vikharev,
The Sleeping Beauty (Aurora, Princess Florine, Diamond Fairy); choreography by Marius Petipa, revised version by Konstantin Sergeyev,
Swan Lake (Prince's Friends, Cygnets, Two Swans); choreography by Marius Petipa and Lev Ivanov, revised version by Konstantin Sergeyev,
La Bayadère (Gamzatti, Trio of Shades, Bayadères); choreography by Marius Petipa, revised version by Vladimir Ponomarev and Vakhtang Chabukiani,
Raymonda (Clémence), choreography by Marius Petipa, revised version by Konstantin Sergeyev,
Le Corsaire (Medora, Trio of Odalisques); production by Pyotr Gusev after the composition and choreography of Marius Petipa,
Don Quixote (Kitri, Queen of the Dryads, Variation); choreography by Alexander Gorsky after motifs of the production by Marius Petipa,
Chopiniana (Seventh waltz, Mazurka, Eleventh waltz, First waltz, Nocturne), Le Carnaval (Butterfly); choreography by Michel Fokine,
George Balanchine's ballets Jewels (Emeralds), A Midsummer Night’s Dream (Butterfly), Symphony in C (IV. Allegro vivace),
The Fountain of Bakhchisarai (Maria); choreography by Rostislav Zakharov,
The Nutcracker (Masha, Doll, Pas de trois, Louisa); choreography by Vasily Vainonen,
Romeo and Juliet (Juliet, Juliet’s Companion); choreography by Leonid Lavrovsky,
The Stone Flower (Katerina); choreography by Yuri Grigorovich,
Leningrad Symphony (the Girl); scenario and choreography by Igor Belsky,
Carmen Suite (Woman Tabacco-Worker); choreography by Alberto Alonso,
Anyuta (Anyuta); choreography by Vladimir Vasiliev,
Adagio Hammerklavier; choreography by Hans van Manen,
Anna Karenina (Kitty) and The Little Humpbacked Horse (Nurses),
Anton Pimonov's ballets Bambi (Falina) and Violin Concerto No 2,
The Bronze Horseman (Parasha, Columbine); choreography by Rostislav Zakharov, Yuri Smekalov,
Paquita (Paquita’s Friends); choreography by Yuri Smekalov, reconstruction and staging of Marius Petipa's choreography (Act III Grand Pas) by Yuri Burlaka,
Pulcinella (Rosetta); choreography by Ilya Zhivoi,
The Fairy's Kiss (the Fairy III, Fiancee),  L'Après-midi d'un faune, Russian Overture; choreography by Maxim Petrov,
Coppélia (Coppélia); choreography by Alexander Sergeev.

Repertoire also includes:
Le Corsaire (Medora); choreography by Eldar Aliev using fragments of Marius Petipa’s choreography,
Shelter – 2016; choreography by Guilherme Maciel.