Born in Leningrad.
Graduated from the Vaganova Ballet Academy in 1996 and joined the Mariinsky Ballet the same year.
Repertoire includes:
La Sylphide (Old Man, Gurn); choreography by August Bournonville, revised version by Elsa Marianne von Rosen,
Giselle (Armour-Bearer, the Duke); choreography by Jean Coralli, Jules Perrot and Marius Petipa,
La Bayadère (Dugmanta, Fakirs); choreography by Marius Petipa, revised version by Vladimir Ponomarev and Vakhtang Chabukiani,
La Fille du Pharaon (The Nile, The Courtier of the Nubian King); choreography by Marius Petipa reconstructed by Toni Candeloro,
The Sleeping Beauty (Catabalutte, Galifron); choreography by Marius Petipa, revival of the 1890 version, staging by Sergei Vikharev,
Swan Lake (the Prince’s Mentor, Mazurka); choreography by Marius Petipa and Lev Ivanov, revised version by Konstantin Sergeyev,
Raymonda (Hungarian Dance); choreography by Marius Petipa, revised version by Konstantin Sergeyev,
Le Corsaire (Seid-Pasha, Forban Dance); production by Pyotr Gusev after the composition and choreography of Marius Petipa,
Don Quixote (Lorenzo, Fandango); choreography by Alexander Gorsky after motifs of the production by Marius Petipa; Fandango staged by Fyodor Lopukhov,
Le Carnaval (Eusebius, Florestan), Schéhérazade (Eunuch); choreography by Michel Fokine,
Le Sacre du printemps; Millicent Hodson inspired by Vaslav Nijinsky,
Les Noces (The Groom’s Father); choreography by Bronislava Nijinska,
The Nutcracker (Stahlbaum); choreography by Vasily Vainonen,
The Fountain of Bakhchisarai (Cracovienne, Old Men, Abbot); choreography by Rostislav Zakharov,
Romeo and Juliet (Escalus, Capulet Servants, Folk Dance, Lawrence, Montague); choreography by Leonid Lavrovsky,
Leonid Yakobson's ballets The Bedbug (Sailor), Shurale (Matchmakers) and Spartacus (Erostenes, Lentulus Batiatus),
Theme and Varitions; choreography by George Balanchine,
Manon (Clients of Madam’s Salon); choreography by Kenneth MacMillan,
Marguerite and Armand (the Duke); choreography by Frederick Ashton,
Anyuta (His Excellency); choreography by Vladimir Vasiliev,
The Nutcracker (Spanish Dance); choreography by Kirill Simonov, production designed by Mihail Chemiakin,
“The Overcoat” after Gogol (Robber) and The Golden Age (Foreign Team); choreography by Noah D. Gelber,
The Little Humpbacked Horse (The Old Man), Le Baiser de la fée (the Fairy’s Retinue), Cinderella (Cinderella’s Father, Hairdresser) and Anna Karenina (Prince Shcherbatsky),
Lulu. Dream of an Anti-Star; choreography by Giuliano Peparini,
Sacre; choreography by Sasha Waltz,
The Bronze Horseman (Officer); choreography by Rostislav Zakharov, Yuri Smekalove,
Paquita (Corregidor, Francisco De Carcamo, Andres’ Father); choreography by Yuri Smekalov, reconstruction and staging of Marius Petipa's choreography (Act III Grand Pas) by Yuri Burlaka,
Renard, Mavra; choreography by Maxim Petrov,
and dances in the opera Betrothal in a Monastery (Eastern Dance).
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