Alexei Timofeyev


Upcoming performances:
20 March 2024
22 March 2024
26 March 2024
Second soloist

• Prize-winner at the VII International Ballet Competition (3rd prize; Seoul, 2010)
• Diploma-recipient at the XI International Ballet Dancers’ and Choreographers’ Competition (Moscow, 2009)
• Diploma-recipient at the XVI International Rudolf Nureyev Ballet Festival “For superb levels of professionalism and contributing to the development of ballet in the Republic of Bashkortostan” (2010)

Born in Leningrad.
Graduated from the Vaganova Academy of Russian Ballet in 2004 (class of Gennady Selyutsky).
Joined the Mariinsky Ballet in 2004.

Repertoire includes:
La Sylphide (James, Youths); choreography by August Bournonville, revised version by Elsa-Marianne von Rosen,
Giselle (Count Albrecht, Classical Duet); choreography by Jean Coralli, Jules Perrot and Marius Petipa,
La Fille du Pharaon (Grand pas d’action); choreography by Marius Petipa reconstructed by Toni Candeloro,
La Bayadère (Idol); choreography by Marius Petipa, revised version by Vladimir Ponomarev and Vakhtang Chabukiani,
The Sleeping Beauty (the Bluebird); choreography by Marius Petipa, revival of the 1890 production, staging by Sergei Vikharev,
The Sleeping Beauty (the Bluebird, Princess Aurora’s Suitors); choreography by Marius Petipa, revised version by Konstantin Sergeyev,
Le Réveil de Flore (Mercure); choreography by Marius Petipa and Lev Ivanov, revival of the 1894 production,
Swan Lake (the Prince’s Friends); choreography by Marius Petipa and Lev Ivanov, revised version by Konstantin Sergeyev,
Raymonda (Béranger, Grand pas); choreography by Marius Petipa, revised version by Konstantin Sergeyev,
Don Quixote (Basilio); choreography by Alexander Gorsky,
Le Corsaire (Ali, Lankendem); production by Pyotr Gusev after the composition and choreography by Marius Petipa,
The Fountain of Bakhchisarai (Vaslav, Polish Youths, Tatar Dance); choreography by Rostislav Zakharov,
The Nutcracker (the Nutcracker Prince, Moor); choreography by Vasily Vainonen,
Shurale (Ali-Batyr); choreography by Leonid Yakobson,
Romeo and Juliet (Mercutio, Troubadour); choreography by Leonid Lavrovsky,
Yuri Grigorovich;s ballets The Legend of Love (Friends of Ferkhad) and The Stone Flower (Danila),
George Balanchine’s ballets Symphony in C (IV. Allegro vivace), Theme and Variations, La Valse, Jewels (Emeralds), Piano Concerto No 2 (Ballet Imperial), Tchaikovsky Pas de Deux and A Midsummer Night’s Dream (Pas de deux from Act II),
Études; choreography by Harald Lander,
Sylvia (Eros); choreography by Frederick Ashton,
Manon (Young Gentlemen); choreography by Kenneth MacMillan,
Carmen Suite (Torero); choreography by Alberto Alonso,
Adagio Hammerklavier; choreography by Hans van Manen,
Anyuta (Student); choreography by Vladimir Vasiliev,
Cinderella (Autumn), Anna Karenina (Levin), The Little Humpbacked Horse (Ivan the Fool), Seven Sonatas and Concerto DSCH,
William Forsythe’s ballets The Vertiginous Thrill of Exactitude, Steptext and Approximate Sonata,
The Nutcracker (the Nutcracker Prince); staging by Mihail Chemiakin and choreography by Kirill Simonov,
The Magic Nut (Pan, Hungarian Suitors); staging by Mihail Chemiakin and choreography by Donvena Pandoursky,
Ondine (Tarantella); choreography by Pierre Lacotte,
The Golden Age (Sportsman, Soviet Footballer); choreography by Noah D. Gelber,
Le Sacre du printemps (Elf); choreography by Donvena Pandoursky,
The Ring; choreography by Alexei Miroshnichenko,
Glass Heart (Alexander); choreography by Kirill Simonov,
Presentiment of Spring (Three Men); choreography by Yuri Smekalov,
Paquita (Clemente); choreography by Yuri Smekalov, reconstruction and staging of Marius Petipa's choreography (Act III Grand Pas) by Yuri Burlaka,
Simple Things; choreography by Emil Faski,
Without; choreography by Benjamin Millepied,
Le Parc; choreography by Angelin Preljocaj,
Anton Pimonov's ballets Inside the lines and Violin Concerto No 2, The Cat on the Tree,
Sous la coupole; сhoreography by Ilya Zhivoi,
12 (Vanka), At the Wrong Time; choreography by Alexander Sergeev,
A csodálatos mandarin (Bandit); choreography by Yuri Possokhov.

Has toured with the Mariinsky Ballet to Great Britain, Germany, Greece, Spain, Italy, China, the Netherlands, the USA, France and Japan.

Any use or copying of site materials, design elements or layout is forbidden without the permission of the rightholder.
user_nameExit