29 April 2018
3 May 2018
9 May 2018
13 May 2018
In the complex and refined variations Yermakov once again proved that he is a born classical dancer, a curator of the traditions of male dance of the Russian ballet school.
• Recipient of the Spirit of Dance prize in the category “Rising Star” (Ballet magazine, 2013)
Born in Leningrad.
Graduated from the Vaganova Academy of Russian Ballet in 2005.
Joined the Mariinsky Ballet in 2005.
Giselle (Count Albrecht), choreography by Jean Coralli, Jules Perrot and Marius Petipa,
Le Corsaire (Conrad, Ali); production by Pyotr Gusev after the composition and choreography of Marius Petipa,
La Bayadère (Solor); choreography by Marius Petipa, revised version by Vladimir Ponomarev and Vakhtang Chabukiani,
Swan Lake (von Rothbart); choreography by Marius Petipa and Lev Ivanov, revised version by Konstantin Sergeyev,
Raymonda (Jean de Brienne); choreography by Marius Petipa, revised version by Konstantin Sergeyev,
Don Quixote (Basilio); choreography by Alexander Gorsky,
Michel Fokine's ballets The Firebird (Ivan Tsarevich), Schéhérazade (Zobeide’s Slave),
The Fountain of Bakhchisarai (Vaslav); choreography by Rostislav Zakharov,
Leonid Yakobson's Shurale (Ali-Batyr) and Spartacus (Spartacus),
Romeo and Juliet (Romeo); choreography by Leonid Lavrovsky,
Yuri Grigorovich's ballets The Legend of Love (Ferkhad) and The Stone Flower (Danila),
Carmen Suite (José, Torero);choreography by Alberto Alonso,
Leningrad Symphony (Youth); choreography by Igor Belsky,
George Balanchine’s Serenade, Jewels (Emeralds, Diamonds), La Valse, Symphony in C (II. Adagio) and A Midsummer Night’s Dream (Lysander, Titania’s Cavalier),
Frederick Ashton's ballets Sylvia (Orion) and Marguerite and Armand (Armand),
In the Night (3rd movement); choreography by Jerome Robbins,
Hans van Manen's ballets Variations for two couples, 5 Tango's and Trois Gnossienes,
Alexei Ratmansky’s ballets The Little Humpbacked Horse (Horses), Cinderella (the Prince), Anna Karenina (Count Vronsky), Concerto DSCH,
The Magic Nut (Polish Suitors); production by Mihail Chemiakin, choreography by Donvena Pandoursky,
Aria Suspended; choreography by Peter Quanz,
Without; choreography by Benjamin Millepied,
Pas de deux from the ballet The Tragedy of Salome; choreography by Emil Faski,
Grand Pas Classique; choreography by Viktor Gsovsky,
Le Parc (Soloist); choreography by Angelin Preljocaj,
Infra; choreography by Wayne McGregor,
Anton Pimonov's ballets Violin Concerto No 2 and The Cat on the Tree,
Paquita (Andrés); choreography by Yuri Smekalov, reconstruction and staging of Marius Petipa's choreography (Act III Grand pas) by Yuri Burlaka,
Yaroslavna. The Eclipse (Prince Igor); choreography by Vladimir Varnava.
Repertoire also includes:
Maxim Petrov's ballets Cinéma, Ballet No 2 and Pavlovsk,
Ksenia Zvereva's ballets Second I, Labyrinth and Elegy. Ophelia.
In April 2015 at the Bolshoi Theatre he performed the role of Ferkhad in the ballet The Legend of Love with choreography by Yuri Grigorovich.
Has toured with the Mariinsky Ballet Company to Great Britain, Germany, France, Italy, Spain, the USA, Israel, Japan, China, Thailand and Taiwan.