24 February 2010, Wednesday, 19:00

Mariinsky Theatre
1 Theatre Square

Fourth performance of the seventh subscription

Le Corsaire

ballet in three acts with a prologue and epilogue
Music: Adolphe Adam, Cesare Pugni, Léo Delibes, Riccardo Drigo and Pavel Oldenburgsky
Choreography: Pyotr Gusev based on the composition and choreography Marius Petipa (1987)
Libretto: Vernoy de Saint-Georges and Joseph Mazilier, edited by Yuri Slonimsky and Pyotr Gusev
Conductor: Boris Gruzin

Credits

Set design: Teymuraz Murvanidze
Assistant design: Mikhail Shishliannikov
Costume design: Galina Solovyova
World premiere: 23 January 1856, Théâtre Imperial de l´Opéra, Paris (choreography by Joseph Mazilier)

Premiere in St Petersburg: 12 January 1858, Bolshoi Theatre (choreography by Jules Perrot and Marius Petipa after Mazilier)
Premiere of Pyotr Gusev´s version: 29 April 1987, Kirov Theatre, Leningrad

Running time 2 hours 30 minutes
The Performance has two intermissions

SYNOPSIS

Prologue
The Shipwreck
Three sailors are struggling to save their boat during a storm.
The boat sinks.

Act I
Scene 1
The Sea Shore
The sea casts the three men, Conrad, Ali and Birbanto, onto a beach. Young Greek women come to their aid. Among them is Medora. Conrad, attracted by Medora, tells her that he is a corsair. Danger now threatens in the form of a Turkish patrol. Medora and her friend Gulnara hide the corsairs, but the Turks take the girls prisoner. The evil Lankedem, a slave-trader, is pillaging the Greek coast, and he has connived with the patrol officer to seize the girls.

Scene 2
The Slave Market
Lankedem is selling his slaves in the market place, where Seid Pasha is seated in the place of honour, looking for fresh beauties for his harem. He is attracted by Gulnara, and buys her. As she is taken away, Medora is brought in, looking so beautiful that Seid Pasha is prepared to pay any price for her. But suddenly a new buyer appears, whom Medora recognises as Conrad in disguise. As the auction for Medora proceeds, Seid Pasha is astonished, and asks the new bidder to name himself. At once, Conrad and his followers throw off their cloaks and are revealed as armed corsairs. They carry Medora away, seize Lankedem, and make off to sea. The Turkish guard has proved useless, and Seid Pasha is furious.

Act II
The Corsairs´ Cave on a Greek Island
The corsairs rejoice at having seized such a rich booty from the market, and at having saved the beautiful young women. They dance in celebration, and Medora dances with Conrad and his friend Ali to the delight of the corsairs. The other young girls ask Medora to intercede with Conrad so that they may return to their own villages. Conrad allows himself to be persuaded, but Birbanto and the other men wish to keep the young women there. Conrad is adamant, and Medora leads the girls to the shore. Lankedem has observed this conflict of opinions and, in exchange for his freedom, he offers Birbanto a potion which will induce a heavy sleep when administered. The potion is poured over a bouquet of flowers and given to Medora who then presents it to Conrad in thanks for his chivalry towards the girls. Lankedem thereby abducts Medora once again.

Act III
Seid Pasha´s Harem
Gulnara is the jewel of the harem, and none of the other slaves brought by Lankedem pleases the Pasha. When Lankedem reappears with Medora, the Pasha is delighted. He buys her and is greeted by a scene in a garden of beauties. But mysterious pilgrims suddenly appear in the palace, and they are invited to join in evening prayer.
Medora recognises Conrad and his men, again in disguise, and this time she truly escapes from the Pasha.

Epilogue
Out on the open sea, the corsairs sail away, together with Conrad, Medora and their friends, heading towards new adventures.

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Changes to the playbill

Today Thu, 2 Sep 2010

Changes to the playbill

Information for audiences:

The concert featuring Nikolaj Znaider as listed on the playbill for 4 October will now take place on 1 October.
Tickets may be returned to the theatre’s box-offices

On 24 October, instead of the planned performance of the opera Duke Bluebeard’s Castle and an evening of piano music, at 15.00, the Mariinsky Theatre will now be staging a premiere of the opera Věc Makropulos (The Makropoulos Affair).
Tickets may be returned to the theatre’s box-offices

On 28 October
, the opera Die Frau ohne Schatten at the Mariinsky Theatre will now commence at 18.00 and not at 19.00 as previously announced.
Tickets remain valid


On 29 October at the Mariinsky Theatre, instead of a recital there will be a concert performance of Nikolai Rimsky-Korsakov’s opera The Tsar’s Bride featuring Olga Borodina as Lyubasha.
Tickets remain valid

The performance of the ballet La Sylphide at the Mariinsky Theatre, previously planned for 30 October, has been moved to 31 October, starting at 19.00.
ickets may be returned to the theatre’s box-offices

The performance of the opera Die Frau ohne Schatten at the Mariinsky Theatre, previously planned for 31 October, has been moved to 30 October, starting at 17.00.
ickets may be returned to the theatre’s box-offices

The management would like to offer its apologies