Viktoria Tereshkina

• Honoured Artist of Russia (2008)
• Prize-winner at the IX Arabesque-2006 International Ballet Competition (Perm, 2006)
• Recipient of Ballet magazine’s Spirit of Dance prize in the category “Rising Star” (2006)
• Recipient of the Golden Sofit, St Petersburg’s most prestigious theatre prize, in the category “Best female role in ballet” for the role of the Queen of the Sea in Ondine (2006)
• Recipient of the Golden Sofit, St Petersburg’s most prestigious theatre prize, in the category “Best female role in ballet” in Approximate Sonata (2005)
• Prize-winner at the DANCE OPEN International Ballet Festival in the category “Ms Virtuosa” (2010)

Born in Krasnoyarsk.
Graduated from the Vaganova Academy of Russian Ballet in 2001 (class of Marina Vasilieva).
Joined the Mariinsky Ballet Company in 2001.

Her repertoire includes:
Giselle (Giselle, Myrtha, Zulma);
Le Corsaire (Medora);
La Bayadère (Nikia, Gamzatti);
Swan Lake (Odette-Odile);
The Sleeping Beauty (Aurora, Gold Fairy, Diamond Fairy);
Raymonda (Raymonda);
Don Quixote (Kitri);
Romeo and Juliet (Juliet);
Spartacus (Phrygia) – choreography by Leonid Yakobson;
The Legend of Love (Mekhmeneh Bahnu);
Grand pas classique – choreography by Viktor Gzovsky;
George Balanchine’s Apollo (Polyhymnia, Terpsichore, Calliope), Serenade, Symphony in C (I Movement), Theme and Variations, The Four Temperaments, Tchaikovsky Pas de Deux, Jewels (Rubies, Diamonds) and Piano Concerto No 2 (Ballet Imperial), Tarantella;
In the Night – choreography Jerome Robbins;
Manon – choreography Kenneth MacMillan;
Études (soloist) – choreography Harald Lander;
Ondine (Queen of the Sea) – choreography Pierre Lacotte;
Alexei Ratmansky’s Cinderella (Khudishka, Female Dance), The Little Humpbacked Horse (Tsar Maiden);
Dolce, con fuoco – choreography Svetlana Anufrieva;
The Nutcracker (Masha), staging by Mihail Chemiakin and choreography by Kirill Simonov;
William Forsythe’s Approximate Sonata, In the Middle, Somewhat Elevated;
The Ring – choreography Alexei Miroshnichenko;
Aria Suspended (soloist) – choreography Peter Quanz
Bolero Factory (The Soul) – choreography Yuri Smekalov.

First performer of the roles of the Queen of the Sea (Pierre Lacotte’s production of Ondine, 2006), the Tsar Maiden (Alexei Ratmansky’s The Little Humpbacked Horse, 2009) and Phrygia (Leonid Yakobson's Spartacus, 2010).

Has toured with the Mariinsky Ballet Company to Great Britain, Germany, the Netherlands, Norway and China.

 

Upcoming performances:
15 September Spartacus
22 September The Sleeping Beauty

Tereshkina is an astoundingly powerful technician: the combination of her vertiginously long legs and fearless balance somehow make you feel she is dancing on top of a high mountain.

The Guardian

 


Tereshkina is absolutely gorgeous, a filigree beauty whose movements extend through her fingertips, a firecracker when throwing off her fiendish fouettés.

The Telegraph

 

Changes to the playbill

Today Thu, 29 Jul 2010

Changes to the playbill

Information for audiences:

On 24 October, instead of the planned performance of the opera Duke Bluebeard’s Castle and an evening of piano music, at 15.00, the Mariinsky Theatre will now be staging a premiere of the opera Věc Makropulos (The Makropoulos Affair).
Tickets may be returned to the theatre’s box-offices

On 28 October
, the opera Die Frau ohne Schatten at the Mariinsky Theatre will now commence at 18.00 and not at 19.00 as previously announced.
Tickets remain valid


On 29 October at the Mariinsky Theatre, instead of a recital there will be a concert performance of Nikolai Rimsky-Korsakov’s opera The Tsar’s Bride featuring Olga Borodina as Lyubasha.
Tickets remain valid

The performance of the ballet La Sylphide at the Mariinsky Theatre, previously planned for 30 October, has been moved to 31 October, starting at 19.00.
ickets may be returned to the theatre’s box-offices

The performance of the opera Die Frau ohne Schatten at the Mariinsky Theatre, previously planned for 31 October, has been moved to 30 October, starting at 17.00.
ickets may be returned to the theatre’s box-offices

The management would like to offer its apologies