Vladimir Shklyarov

• Prize-winner at the XI International Ballet and Choreography Competition, in the category “Solo” (Moscow, 2009, 1st prize)
• Prize-winner at the Vaganova-Prix International Competition (St Petersburg, 2002)
• Holder of the Soul of Dance – 2008 prize, instituted by Ballet magazine, in the category “Rising Star”
• Holder of the annual Leonid Massine International Prize For the Art of Dance (Positano, Italy, 2008)
• Holder of the Zegna – Mariinsky New Talent Awards grant (London, 2008)

Born in Leningrad.
Graduated from the Vaganova Academy of Russian Ballet (class of Vitaly Afanaskov) in 2003.
Joined the Mariinsky Ballet Company the same year. Soloist since 2007.

Repertoire includes:
La Sylphide (James and Youth);
Giselle (Count Albrecht, Classic Duo from Act 1);
Ondine (Маttео);
Le Corsaire (Аli, Lankedem);
La Bayadère (Solor, Golden Idol, additional role choreographed by Nikolai Zubkovsky in Vakhtang Chabukiani’s version of Marius Petipa’s ballet);
The Sleeping Beauty (Prince Désiré, Suitor); Konstantin Sergeyev’s version;
The Nutcracker (Nutcracker Prince); production by Mihail Chemiakin, choreography by Kirill Simonov;
Swan Lake (Prince Siegfried, Pas de trois, Jester and Neapolitan Dance);
Raymonda (Grand Pas);
Don Quixote (Basilio);
Le Réveil de Flore (Zéphyr); revival of the 1894 production;
The Fountain of Bakhchisarai (Vaslav, Polish Youth);
Romeo and Juliet (Romeo);
The Legend of Love (Friend of Ferkhad);
Le Carnaval (Harlequin); choreography by Michel Fokine;
George Balanchine’s ballets Jewels (Emeralds – trio, Rubies, Diamonds), Ballet Imperial (Piano Concerto No 2 – Soloist, Trio), Symphony in C (III Movement), Theme and Variations, and Tchaikovsky Pas de Deux, Scotch Symhony;
Jerome Robbins’ In the Night;
Harald Lander’s Études (Soloist);
Grand pas classique; choreography by Viktor Gzovsky;
Kenneth MacMillan’s Manon (Beggars’ Leader, Young Gentleman), Alexei Ratmansky’s Cinderella (Prince) and The Little Humpbacked Horse (Ivan the Fool);
William Forsythe’s The Vertiginous Thrill of Exactitude;
Yuri Smekalov’s Parting and Requiem for Narcissus
and the Pas de deux from the ballet Venetian Carnival.

Vladimir Shklyarov gave the first performance of the role of the Zéphyr in Le Réveil de Flore (revival of Marius Petipa’s 1894 production, revived by Sergei Vikharev, 2007) and the role of Harlequin in Le Carnaval (revival of Michel Fokine’s 1910 production, revived by Sergei Vikharev, 2008).

Participant in gala-concerts including ones to mark the 70th birthday of the outstanding dancer Maris Liepa (Moscow, Kremlin Palace, 2006), Mariinsky&Bolshoi Theatres (Tokio, 2007) Malakhov and Friends (Berlin, 2008), Ballettisimo (Guadalajara, 2008) and DANCE OPEN (St Peterburg, 2010).

Has toured with the Mariinsky Ballet Company to Europe, America and China.

 

Changes to the playbill

Today Thu, 2 Sep 2010

Changes to the playbill

Information for audiences:

The concert featuring Nikolaj Znaider as listed on the playbill for 4 October will now take place on 1 October.
Tickets may be returned to the theatre’s box-offices

On 24 October, instead of the planned performance of the opera Duke Bluebeard’s Castle and an evening of piano music, at 15.00, the Mariinsky Theatre will now be staging a premiere of the opera Věc Makropulos (The Makropoulos Affair).
Tickets may be returned to the theatre’s box-offices

On 28 October
, the opera Die Frau ohne Schatten at the Mariinsky Theatre will now commence at 18.00 and not at 19.00 as previously announced.
Tickets remain valid


On 29 October at the Mariinsky Theatre, instead of a recital there will be a concert performance of Nikolai Rimsky-Korsakov’s opera The Tsar’s Bride featuring Olga Borodina as Lyubasha.
Tickets remain valid

The performance of the ballet La Sylphide at the Mariinsky Theatre, previously planned for 30 October, has been moved to 31 October, starting at 19.00.
ickets may be returned to the theatre’s box-offices

The performance of the opera Die Frau ohne Schatten at the Mariinsky Theatre, previously planned for 31 October, has been moved to 30 October, starting at 17.00.
ickets may be returned to the theatre’s box-offices

The management would like to offer its apologies