Brundibár

During the initial stages of World War II in 1938, two Jewish Czech cultural figures – the author Adolf Hoffmeister and the composer Hans Krása (1899-1944), undertook a challenge… to write the children’s opera Brundibár (the Czech for “bumblebee”). It was originally written for a government competition and was to have an educational message about the victorious nature of justice, good conquering evil and placing respect for people above all else.
Even though the competition was later cancelled due to political developments, rehearsals started in 1941 at the Hagibor orphanage in Prague and it was there in the winter of 1942 that the opera was first performed. By that time, the composer Krása had already been transported to the concentration camp in Theresienstadt. By July 1943, nearly all of the children of the original chorus and the orphanage staff had also been transported to Theresienstadt. Only Hoffmeister the librettist was able to escape Prague in time.
Reunited with the cast in Theresienstadt, Krása reconstructed the full score of the opera based on memory and the partial piano score that remained with him, adapting it to suit the musical instruments available in the camp: flute, clarinet, guitar, accordion, piano, percussion, four violins, a cello and a double bass.
In 1943, Brundibár was performed in Theresienstadt under the watchful eyes of the representatives of the Nazi regime, and the message of the triumph of good over evil assumed a different and new meaning. The following year it was performed fifty-five times.
A special performance of Brundibár was staged in 1944 for representatives of the Red Cross who came to inspect living conditions in the camp. Later that year it was filmed for the Nazi propaganda film Der Führer schenkt den Juden eine Stadt. All of the participants in the Theresienstadt production were sent to Auschwitz as soon as filming was finished.
The opera tells the story of Aninka and Pepíček, a fatherless sister and her brother. Their mother is ill, and the doctor tells them she needs milk to recover. They decide to sing in the marketplace to raise the money needed, but the evil organ grinder Brundibár chases them away. However, with the help of a fearless sparrow, keen cat and wise dog as well as the children of the town, they are able to chase Brundibár away, and they sing in the market square.
Brundibár was a symbol of hope in the struggle against the Nazi conqueror; it contains obvious symbolism in the triumph of the helpless children over the tyrannical organ grinder, but has no overt references to the conditions under which it was written and performed. However, certain phrases were clearly anti-Nazi to the audience. Though Hoffmeister wrote the libretto before Hitler’s invasion, at least one line was changed by the poet Emil Saudek at Theresienstadt to emphasise the anti-Nazi message. It is the final line of the opera and, while the original was “He who loves so much his mother and father and his native land is our friend and he can play with us,” Saudek’s version reads is “He who loves justice and will abide by it, and who is not afraid is our friend and can play with us.”

Naomi Faran founded the Moran Choir in 1986, since when it has made enormous musical and educational achievements. It numbers some fifty young singers aged between twelve and eighteen.
Many leading composers have written original choral works and operas for the choir, among them Haim Permont (The Pied Piper of Hamlin), Gil Shohat (The Happy Prince, based on Oscar Wilde’s story), Ella Milch-Sheriff (And the Rat Laughed), Menachem Wiesenberg (a children’s song cycle), Moshe Zorman (the cycle of Israeli folk songs I Have No Other Country), Eyal Batt (Sorobindi) and Shlomo Gronich (the cantata The Tower of Babel) to name but a few.
The choir features regularly at the most prominent venues in Israel, including the Israeli Opera, the Cameri Theater, the Abu Gosh Vocal Music Festival and the Tel Aviv Museum among others. It sings regularly with the Israel Philharmonic Orchestra, the Israel Symphony Orchestra Rishon LeZion, the Israel Chamber Orchestra and the Kibbutz Chamber Orchestra in addition to performing at national ceremonies and special events.
The Moran Choir is often invited to represent Israel at festivals, competitions and workshops around the world and in this capacity has visited Hong Kong, China, Taiwan, the USA, Canada, Spain, Slovenia and Scandinavia among other countries. The choir combines excellence in singing with a range of community activities undertaken jointly with special needs children and adolescents and paediatric cancer patients at Schneider Children’s Hospital.

The Pueri Gaudentes (“Joyous Boys”) choir is a unique ensemble of some two hundred young soloists. Zdena Součková has been the choir’s Music Director since its establishment in 1990 and it is considered one the leading children’s choirs in Prague. The choir has four sections: the concert department includes fifty children aged between eleven and fourteen and thirty young men aged between fifteen and nineteen. The remaining singers are divided into three departments where they study the basics of singing and music theory with a view to joining the performance section later. The boys take part in a variety of activities and tours all over the world.
The choir has appeared in a production of Bizet’s Carmen at the State Opera in Prague, as well as in Puccini’s Turandot, Mussorgsky’s Boris Godunov, Bubu de Montparnasse by Emil František Burian, and the  Czech Christmas Mass. The choir members also perform with other leading Czech singers and ensembles. The choir records many programs for radio and television and collaborates on projects with such composers as Pavel Jurkovič and Emil Hradecký, who have dedicated several works to the choir.
The Pueri Gaudentes Choir’s repertoire is highly diverse and includes works for children’s voices, music for male voice choirs and for mixed voices. The choir sings works from many different periods and in many styles. Most of the singers in the choir also play a musical instrument and are able to accompany themselves while singing.