St Petersburg, Concert Hall

Famous works for organ and Spanish Christmas music


Part I  Part II
   
Alexander Gilman. Finale from Suite No 1 in D Minor
Jesüs Guridi. Puer natus est
Juan Bautista Lambert. Christmas Impression (The Adoration of Baby Jesus)
Louis James Alfred Lefébure-Wely. Boléro de Concert
Juan Sune Sintes. Christmas Song in the Old Style
Martín Gorostidi Altuna. Villancico
Gonzalo Arenal. Noel to the Theme of Christmas Bells
Eugène Gigout. Toccata
  Johann Sebastian Bach. Pastorale
Choral preludes: Puer natus in Bethlehem, Gelobet seist du, Jesu Christ, Der Tag, der ist so freudenreich, Vom Himmel hoch, da komm ich her
Charles-Marie Widor. Toccata from Symphony No 5
Eduardo Gorosarri. Basque Christmas Song
Jesús Guridi. Villancico
Léon Boëllmann. Toccata from Suite gothique
Padre José Antonio Donostia. Pro tempore nativitatis domini, pastorale
Jehan Alain. Litanies

 

Spanish organ music, which dates back no less than six centuries, is primordial and stands apart from other organ music in Europe with its musical genres, the timbre and register details of the instruments and the various technical elements. The most vivid feature of the Spanish organ lies in the effective and shrilly-sounding language registers (the so-called “Spanish trombones”), that come out from the instrument horizontally. Moreover, the Spanish organ is always richly decorated with carving, sculpture and painting. This unique sense of theatricality can also be seen in organ music, rich in contrasts and “special effects”: the “distancing” and “coming closer” of the sound imitating birdsong or drumbeats.
The start of the dawn of Spanish organ music is linked with Antonio de Cabezón (1510–1566) – the Court organist of King Philip II of Spain; the name of Juan Bautista José Cabanilles (1644–1712) could be added to maestri of the later period.
Following the general collapse of national Spanish culture in the 19th century, staring in the early 20th century certain national features were reborn. In recent years many Spanish composers have turned to traditional genres of Batalha, tiento and vocals, for example villancico – songs of rural birth and with varied themes and a well-developed musical and poetic structure.
Konstantin Greshnevikov

Age category 6+

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