22 – 30 December 2015
One of the main themes of the current festival is the succession and the legacy of the musical traditions passed from generation to generation. The concerts will feature appearances by both established musicians and their talented younger colleagues. The Children for Children programmes will see very young pianists performing for people of the same age

The III International Organ Festival will see an appearance by French organist Vincent Dubois, prize-winner at international competitions and the director of three music institutions – the Conservatoire National de Reims and the Conservatoire and the Académie Supérieure de Musique in Strasbourg. He will be performing in St Petersburg for the first time

On 30 October Alexei Markov will perform the role of Prince Andrei Bolkonsky in the opera War and Peace at the new Mariinsky Theatre

Kevin Bowyer, a British organist participating in the current organ festival, speaks of how youthful fanaticism can help tame unplayable music, his research interests and his days as a university organist. His concert takes place on 2 November

Maestro Gergiev will continue to introduce world audiences to prize-winners of the XV International Tchaikovsky Competition

The performance of the ballet The Sleeping Beauty on 26 October will be dedicated to Yuri Solovyov, a dazzling Prince Désiré and Blue Bird in the 1950s-1970s

On 24 October the British chorus master and acclaimed specialist in the music of the Renaissance and the early Baroque Peter Phillips will be presenting a programme of polyphonic works by Bach, Palestrina, Praetorius and Allegri

On 27 and 28 October at the Mariinsky Theatre the ballet company of the Opéra National de Bordeaux will present Carolyn Carlson’s ballet Pneuma
On 24 October the performance of The Tale of Tsar Saltan will be dedicated to Rimma Volkova, People’s Artist of Russia
Thierry Escaich, an acclaimed French organist and composer whose concerts at the Mariinsky have sold out, has shared his thoughts about his programme, working as a resident organist and how important it is for a composer to hear his works performed by someone else on the threshold of the III Organ Festival