Piia Komsi

“Komsi’s voice is phenomenal, capable of extremes of pitch and textures beyond the range of most, combined with extraordinarily crisp articulation. Her voice is almost superhumanly elastic,her diction precise even in phrases as convoluted as those thrown at her by Joyce and Eötvös.
Opera Today


Piia Komsi is known for her exceptionally high and flexible voice and virtuoso technique. She is a successful international performer of baroque, classical and contemporary repertoire – not only in opera and orchestral music, but also chamber music and lied. Piia Komsi has been a muse to many contemporary composers. Her latest success has been the lead role of Martha in Fabian Panisello’s Le Malentendu. Komsi made her breakthrough as the Maid in Thomas Adès’ opera Powder Her Face.

Her operatic roles have included Martha in Le Malentendu by Panisello, Gepopo and Venus in Le Grand Macabre by Ligeti, the Duchesse de Guise in the Massacre by Mitterer, Pamina and Queen of the Night (Magic Flute), Brünnhilde (Wagner/Jonathan Dove: Ring Saga), Medea (Pascal Dusapin: Medeamaterial), The Cat (Chin: Alice in Wonderland), and the cello-playing daughter (Heinz-Juhani Hofmann: Ahti Karjalainen), among others. Piia Komsi has been engaged by major opera houses including Teatro Colón in Buenos Aires, The Finnish National Opera, Bayerische Staatsoper München, Théatre et Musique Paris, San Carlo Teatro Napoli, Teatro Olimpico Rome, and several free opera groups in Finland.

Piia Komsi has a strong background in early church music, singing with her twin sister Anu Komsi in the children’s choir of the Kokkola Church, and continuing throughout her professional career – first as a continuo cellist and then as a soprano soloist.

As a soloist Piia Komsi has performed with numerous orchestras: Los Angeles Philharmonic, BBC London and BBC Wales National, Bayerischer Rundfunk Orchester, London Sinfonietta, L'Ensemble Intercontemporain, Philharmonique Orchestre de Radio France, Ensemble Modern, Oslo Philharmonic, Stockholm Royal Philharmonic, Gulbenkian Orch., Gothenburg Symphony, Orquestra Sinfónica do Porto Casa da Musica, Remix, MDR Leipzig, NDR Hamburg, Köln Musik Fabrik, Elision, Finnish orchestras including early music and new music orchestras. She has worked with many of today's leading conductors, such as Esa-Pekka Salonen, Peter Eötvös, Kent Nagano, Sakari Oramo, Jukka-Pekka Saraste, Francois-Xavier Roth and Peter Rundel. Esa-Pekka Salonen's Wing on Wing was composed to Piia Komsi and her twin sister Anu, and it has since been in the repertoire of many international concert venues. Next Wing on Wing will be performed with the New York Philharmonic Orchestra in 2017.

With her background as a cellist (she was a member of the Finnish National Orchestra until 2001) Piia Komsi’s latest challenge is to sing while simultaneously playing the cello. Several composers have already written new pieces for her unique soprano coloratura-cellist combination.

Piia Komsi's recordings include Solaris (Naxos/Proprius, chosen for the best art CD of the year 2012 by Kotimaa), Esa-Pekka Salonen's Wing on Wing (Deutsche Grammophon), Akrostichon Wortspiel by Unsuk Chin (Deutsche Grammophon), From the Grammar of Dreams by Kaija Saariaho (Ondine, chosen as the best CD of the year-prize in YLE), Procris by Wennäkoski (Alba, Emma-Prize 2008), Opera Mothers and Daughters by Tuomela (Aulos), Alice in Wonderland by Unsuk Chin (DVD, 2007), Ahti Karjalainen by Heinz-Juhani Hofmann (Alba 2015).

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