Maxim Lynda

Born in Voronezh.
Graduated from the Vaganova Academy of Russian Ballet in 2004 (class of Yuri Umrikhin).
Joined the Mariinsky Ballet the same year.

Repertoire includes:
Giselle (Armour-Bearer); choreography by Jean Coralli, Jules Perrot and Marius Petipa,
Le Corsaire (Forban dance); production by Pyotr Gusev after the composition and choreography of Marius Petipa,
Don Quixote (Gypsy Dance); choreography by Alexander Gorsky after motifs of the ballet by Marius Petipa (Gypsy Dance choreographed by Nina Anisimova),
Pétrouchka (Crooms); choreography by Michel Fokine,
The Fountain of Bakhchisarai (Tatar Dance); choreography by Rostislav Zakharov,
Romeo and Juliet (Folk Dance, Capulet Servants); choreography by Leonid Lavrovsky,
Leonid Yakobson’s ballets Shurale (Matchmakers) and Spartacus (Numidian),
Manon (Young Gentlemen); choreography by Kenneth MacMillan,
The Stone Flower (Severian's Guards); choreography by Yuri Grigorovich,
Alexei Ratmansky’s ballets Cinderella (Hairdresser), The Little Humpbacked Horse (Gypsy Dance) and Anna Karenina (Yegorushka Korsunsky),
The Nutcracker (Pulcinellas, Spanish Dance); staging by Mihail Chemiakin, choreography by Kirill Simonov,
The Magic Nut (Cook, Turkish Groom); staging by Mihail Chemiakin, choreography by Donvena Pandoursky,
The Golden Age (Football Player, Soviet Team); choreography by Noah D. Gelber,
Le Parc (Gardeners); choreography by Angelin Preljocaj,
Bambi (the Fox); choreography by Anton Pimonov,
The Bronze Horseman (Russkaya); choreography by Rostislav Zakharov, Yuri Smekalov,
Yaroslavna. The Eclipse (Vigilantes); choreography by Vladimir Varnava.

Repertoire also includes dances in operas:
The Queen of Spades (pastoral vignette Sincerity of the Shepherdess; Satyrs), Aida (Military Commanders), Prince Igor (Polovtsian) and Mazepa (Cossack).

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