Mariinsky Theatre

Prodigal Son
 Le Jeune Homme et la Mort
 Ballet Imperial 

one act ballets

Opening of the XII Ballet Festival MARIINSKY

Performers

Conductor: Mikhail Agrest
The Prodigal Son: Daniel Ulbricht
The Siren: Teresa Reichlen

Credits

Music by Sergei Prokofiev
Choreography by George Balanchine (1929)
Libretto by Boris Kochno (after the biblical parable)

Scenery and costumes: Georges Rouault
Scenery executed by Prince A. Schervashidze
Costumes executed by Vera Soudeikina
Staging: Karin von Aroldingen and Paul Boos
Original lighting design: Ronald Bates
Lighting: Vladimir Lukasevich


Premiere: 21 May 1929, Les Ballets Russes de Serge de Diaghilev, Théâtre Sarah-Bernhardt, Paris
Premiere at the Mariinsky Theatre: 14 December 2001

Running time 40 minutes

The Ballet of George Balanchine Prodigal Son is presented by arrangement with The George Balanchine Trust and has been produced in accordance with the Balanchine Style® and Balanchine Technique® service standards established and provided by the Trust
The Mariinsky Theatre would like to express its gratitude to Mrs Bettina von Siemens for her support in bringing the "Ballets of George Balanchine" project to life

Prodigal Son was the last work Balanchine made for Diaghilev’s Ballets russes in 1929 with Serge Lifar in the role of the Prodigal Son; it was revived in 1950 by the New York City Ballet with Jerome Robbins in the title role. Its music by Prokofiev was written for the ballet, and its costumes and décor were created by Rouault, making it a perfect example of the collaborative efforts among artists that produced some of the best works of the Diaghilev era. New for a Diaghilev ballet was the Biblical theme and the religious spirit. In seeking eternal themes and turning to past artistic devices, western artists were trying to avoid the complete intellectual and artistic degeneration towards which their rootless experimentation was leading. Prodigal Son anticipated the trend toward religion of the 1930s and 40s. It was Diaghilev’s fate that he would always be ahead of fashion, even when he believed he had turned his back on vogue. The return of Prodigal Son to St Petersburg is of great significance. For the first time, a ballet of the most radical, late period of Diaghilev’s Saisons russes has returned to the stage of the Mariinsky Theatre. That period of Russian and world ballet has come home, which until recently was under artistic (avant-garde aesthetics of the late Diaghilev era) and ideological (use of religious motifs) censorship.
With the return of Prodigal Son, the Mariinsky Theatre and its generation of young dancers have begun to restore an objective picture of the development of ballet in the 20th century.
Age category 12+

user_nameExit

The highlighting of performances by age represents recommendations.

This highlighting is being used in accordance with Federal Law N139-FZ dated 28 July 2012 “On the introduction of changes to the Federal Law ‘On the protection of children from information that may be harmful to their health and development’ and other legislative acts of the Russian Federation.”